Zach Lorkiewicz delves deep on creating the warped vision to his Lovecraftian house horror ‘The Knock’.
Kate Dolan discusses her reappraisal of cat-centric horror cinema for her terrifying slasher short ‘Catcalls’.
Carey Kight joins TC to discuss ‘An Actor Prepares’, his short Slasher about two actors rehearsing a scene, with extremely different intentions.
Becki Pantling talks the practicalities of building tension, balancing multiple roles and shooting the afterlife for warehouse ghost story ‘Off Duty’.
Lars Kemnitz explains how he embraced the challenges and benefits of shooting Super 8 for ‘BUNNY’ his creepy short about a couple and their peculiar rabbit mask.
Adam Gunton sheds light on the meaning behind watching films as a collective, and why horror is the best genre for it.
Beth Fletcher discloses how she fell in love with the horror genre and practical effects for her short ‘Come Be Creepy With Us’.
Lance Edmands walks Twelve Cabins through the execution of his one-take icy suspense film ‘Whiteout’ and the unexpected audience reactions it garnered.
Amelia Moses divulges the filmmaking lessons she learned whilst making her coming-of-age body horror ‘Undress Me’.
Horror Director Joshua Giuliano tells TC about his inventive approach to scaring audiences for Slasher short ‘In Sound, We Live Forever’.
TC revisits Ed Wood’s hidden horror gem ‘Orgy of the Dead’, and talks finding the good in the bad.
Dylan Holmes Williams talks high school, Yorgos Lanthimos and creating a story off-camera for supernatural short ‘The Devil’s Harmony’.